Saturday, November 2, 2013

Sandy Nathan – How to Overcome Radio Stage Fright @sandyonathan

How to Overcome Radio Stage Fright
I’ll handle this question in one sentence: There is no way to overcome radio stage fright.
Every time I’m on the radio is the first time. Before every interview, I sit in front of my home altar, repeating my mantra so that my over-heated heart does not explode and squirt blood out of my ears. I’ve been this way as long as I’ve been talking on the radio.
It doesn’t matter that the radio host is a good friend and has been a visitor at our house. Doesn’t matter that she’s really smart, loves my work and me, and wants me to succeed even more than my mom did.
What can you do to overcome radio stage fright?
  1. Know your material. That should be easy. You wrote it.
  2. Make a detailed outline of what you want to say. Then simplify that. Make an even tighter statement of what you want to say and put it on index cards. Keep them where you can see them while you’re on the air.
  3. Know the answers to the interviewer’s questions. This should be easy, if you wrote them. If you don’t know what the questions are, the index card tip above will suffice. Index cards and winging it—the ultimate terror.
  4. An hour before the program, take a walk. If you live in an area where you might be mugged or something, don’t take a walk.
  5. Breathe slowly and deeply and keep breathing until the show is over. Then you can stop breathing.
  6. Hook up an old-fashioned, wired-connection telephone and use it. Wireless phones don’t record very well. Don’t use a cellphone, ever.
  7. If you have any spiritual practice, now’s the time to haul it out: prayer, mantra repetition, meditation, tickling dog’s tummies. A trip to Lourdes (allow enough time).
  8. Play music you find spiritual uplifting and/or calming before you go on.
  9. Place an object or photo that has spiritual significance to you where you can see it during the interview. A saint’s picture, a sacred image, an icon. An archetypal object. Stare at it while you’re being interviewed. Maybe you’ll hypnotize yourself.
  10. The first three minutes establish the success of your interview, so make them good.
  11. DO NOT BREATHE INTO YOUR PHONE. Listeners will hear it and think you are an ax murderer. Don’t forget about this. You will feel dumb when you hear yourself panting later. Heavy breathing can ruin a good interview.
  12. If the person interviewing you is friendly, relax and have fun. If the person is hostile, you can tell him that you’re not the person who wrote the book he’s talking about. You wrote Billy the Bison Barfs. Where are his questions about that? You can also cry. That works for women. I don’t know about guys. Alternatively, you can start karate classes two years before your interview. They probably teach stuff that would help there. Ditto for assertiveness training.
  13. When it’s over, thank God and make a donation to your favorite charity. Schedule your next radio interview while you’re still high. (You’re gonna do great. Trust me.)
  14. Major meds—name your favorite—really help. Instead of doing all of the above, you can drug yourself before the show. Just make sure that your speech isn’t slurred and you can remember your name.
Even if you everything I’ve taught you, nothing will really help. Radio stage fright is your body telling you that you are alive and facing a situation that could cause great humiliation. Or triumph.
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Tomorrow morning at 7:35 AM, a nuclear holocaust will destroy the planet. Two people carry the keys to survival: Jeremy Edgarton, a 16-year-old, tech genius and revolutionary; and Eliana, the angelic, off-world traveler sent to Earth on a mission to prevent her planet’s death.
Welcome to a future world only heartbeats from our own.
By the late 22nd century, the Great Recession of the early 2000s has lead to a worldwide police state. A ruined United States barely functions. Government control masks chaos, dissenters are sent to camps, and technology is outlawed. War rages while the authorities proclaim the Great Peace.
It’s New York City on the eve of nuclear Armageddon.
Join Eliana & Jeremy as they begin a quest to save two doomed planets . . . and find each other.
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When the earth blows up at the end of The Angel & the Brown-eyed Boy (Earth’s End 1) that was it, right? The characters go off in all directions, nevermore to be seen.
Not exactly. In Lady Grace, a few survivors of the nuclear holocaust make their way back to Piermont Manor, Jeremy Edgarton’s ancestral estate. The radiation is gone and it’s finally safe to go home.
What awaits them makes their worst dreams look like Bollywood frolics. Right away, they find out that evolution can work for evil as well as good. Going home requires a battle more deadly than any they’ve fought.
The returning characters appear from everywhere, in ways you’d never believe. Some of them you’ve met before; some are new to Tales from Earth’s End.
Bud Creeman and Wesley Silverhorse, characters from author Sandy Nathan’s novel, Numenon: A Tale of Mysticism & Money, drop in from the year 2015, thousands of years before the time of Lady Grace. Bud and Wes provide needed Native American skills and spiritual power.
Shining through it all is Lady Grace, a phoenix rising from the devastation of her civilization, unrecognizable as the person she once was.
It was a new world, 
but was it one that permitted love?
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HE KNEW HER WORK WAS MURDER Sam Baahuhd has been the village headman for twenty-two years. Like all the headmen in surrounding villages, he has powers. But Sam’s powers are greater than any headman’s, anywhere, ever. He controls others with his speech and heals with a touch. Even with what he can do, Sam has survived only because he’s kept his fellow villagers from murdering him. They’re a gang of thugs who spend most of their time drunk or stoned. Sam and the villagers live on Veronica Edgarton’s estate. Or they do until nuclear Armageddon forces them into a huge underground bomb shelter. When Sam carries a naked stranger into the shelter, he knows what she did before the war. Her work was murder–murdering people.
She tortured people until they broke, or died. She was a federal agent in a police state. Nuclear radiation traps Sam and Emily and the rest of the village’s residents in an echoing cement cavern three hundred feet beneath the earth’s surface. There is no escape from the underground. Not for them. Or their children, or their children’s children . . . Sam has no idea Emily will ignite his heart and change his world. The lovely outsider carries deadly secrets. Only Sam with his village headman’s power can heal her. Only Emily can make Sam the man he was meant to be. Passion explodes between them. Passion that brings joy and pain, ecstasy and remorse. Passion that can kill. Join Sam & Emily for a legendary love story you’ll never forget.
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Genre – Metaphysical Science Fiction
Rating – R
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1 comment:

  1. Hi, everyone! I'm Sandy Nathan, author of the article about radio stage fright. I'm writing from sunny California where its 86 degrees and brilliantly sunny. If you have any comments or what to say hi, you can post them here. I not only help people beat stage fright, I write a sort of uplifting spiritual fantasy/sci-fi that defies description. Ciao!

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